Edition I, Connections

The first edition of Ding Dong opened on 11 June 2026, from 6 to 9 pm, and could then be seen from 12 to 14 and from 19 to 21 June, at Singel 330 in Amsterdam.

With work by

Anika Hochstenbach
Anna Charlotte Hubert
Ella Morris-Skingley
Jida Ghantous
Mitch Yan
Nabila Ayu Aviani
Stan Keijsers

Pen pals

The exhibition began with a question: what does connection mean to you? Visitors could type their answer on a typewriter in the gallery. We swapped the letters and sent them on to a stranger.

Dear new friend,

Would you like to be my pen pal?

There is something nostalgic about writing to someone I have never met. That someone is now you. We have barely crossed paths, yet I already feel a sense of connection. Perhaps it is excitement. Perhaps it is curiosity. Whatever it is, it keeps whispering: tell them faster, I can't wait any longer.

Writing to a stranger feels vulnerable. It means reaching out without knowing whether your words will arrive where you hope they will. It means sending a small piece of yourself into the unknown and trusting that someone, somewhere, will receive it.

But enough of my overthinking. You deserve something to read.

May I ask you a question? Or is it too soon? That is already a question in itself.

I will ask anyway.

What does connection mean to you?

I ask because I believe the answer reveals something about the ways we relate to ourselves, to one another, and to the world around us. We are all part of this ongoing process. We connect, we mirror, we misunderstand, we search, and sometimes we find understanding.

This exhibition begins with that same question.

The artists gathered here each move around the theme of connection in their own way. Through images, materials, stories, memories, and gestures, they explore what it means to reach toward something beyond ourselves. Their works do not offer a single answer. Instead, they open spaces for reflection, recognition, and encounter.

Maybe art itself is a form of connection. Not because it explains, but because it allows us to feel. Sometimes a work of art can awaken something that was already there, waiting to be noticed.

Before I go, I have one last request.

If this letter has stirred a thought, a memory, or a question, use the typewriter, you can find this in the space, to write it down, and put it in an envelope.

Perhaps it will find its way to someone who has been waiting to hear exactly what you have to say.

This is my first letter to you.
I hope it won't be the last.

Yours,
Ding Dong

The gallery during Edition I: wooden beams, brick walls and suspended white walls full of paintings
Orange paintings of group portraits on the brick wall A tufted wall hanging and a woollen castle reading Join my castle of joy Three small drawings, the woollen castle and a colourful framed work on the brick wall The woollen castle next to a colourful framed work with a blue flower A large blue painting with a moon, a display case and a pink drawing The long brick wall with the woollen castle, two large framed works and a small work in a niche A painting of hands forming a heart on a suspended wall A large charcoal drawing and three small works on a white wall, with a leather sofa beside it View of the gallery from the stairs, with the blue painting and the tufted wall hanging The charcoal wall and the framed works on the brick wall, with a leather armchair in the foreground